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Fog adds magic to so many different kinds of scenes. It's one of the things I was most excited about when I moved to Marin County -- fog heaven.

Since moving to the north bay, I have discovered countless vistas and compositions that have rarely or never before been photographed. And then there are views like this -- timeless classics. Some photographers are drawn to classic views and rarely explore beyond them; others avoid them at all costs and only seek out "new".

My personal view is, classic views are beloved for a reason, but the key is finding the right conditions and compositions that bring out the best in them.

These conditions aren't always common, though. For example, we all know fog is a regular occurrence at the Golden Gate, so much so that it has a name, Karl-- but having the fog *this low* so the bridge and city rise *above* it, is rare. And the kinds of weather systems that drive the low fog usually bring clear skies above. Low fog with clouds above is exceedingly rare, and that's what I love about a photo like this: it captures a familiar scene, but in a special way.

This view wasn't my original plan this morning. I had tried somewhere completely new, which was about a half hour's drive away. I photographed the dawn twilight there with the city lights twinkling above the fog, which was also incredible-- but then the fog retreated on me and left me scrambling. Fog often does this kind of thing, it has a mind of its own, so thinking quickly on our feet is critical. I was running out of time as the sun was already about to crest the horizon, but I decided I could make it to the Marin Headlands in time and the light would still be golden. Sure enough, as I arrived, the sun began to peek out in between the clouds and everything was perfect. Planning is the first step, but this one is an ode to spontaneity.

Standing alone in the shallow waters of Lake Wanaka on New Zealand's South Island, the famous Wanaka Tree has become one of the country's most recognizable photographic landmarks. Its graceful, twisting branches rise from the lake against a magnificent backdrop of the snow-covered Southern Alps. In autumn, the golden foliage along the shoreline adds another dimension of color to an already extraordinary landscape.

We first visited Lake Wanaka during our 2019 trip to New Zealand and returned in April 2026. During our four-night stay in Wanaka, I made it a priority to photograph this remarkable scene at sunrise. Apparently, about 200 other photographers had the same idea! The beach was crowded with people hoping to capture the first light of day, limiting my ability to include as much of the shoreline on the left side of the composition as I would have preferred.

Fortunately, the conditions that morning were exceptional. A fresh blanket of snow covered Mount Aspiring, also known as Tititea, rising 9,951 feet (3,033 meters) above sea level. As the sun began illuminating the distant mountain peaks, beautiful shades of pink and warm gold appeared across the snow and upper slopes. The golden autumn trees along the shoreline contrasted beautifully with the cool blue waters of the lake, while the Wanaka Tree and its reflection provided a distinctive foreground subject.

To capture the remarkable detail throughout this scene, I used a Canon EOS R5 Mark II with a Canon RF 100-400mm zoom lens set to 300mm. I photographed 450 individual focus-bracketed exposures at f/11, 1/20 second, and ISO 100. These exposures were processed into 30 focus-stacked images, which were then assembled into a panorama consisting of three rows and ten columns. The completed photograph contains approximately 659 million pixels, measuring 36,730 x 18,127 pixels.

The resulting image preserves exceptional detail in the tree's intricate branches, the autumn foliage, the distant snow-covered mountains, and the subtle reflections across Lake Wanaka. Its panoramic composition is particularly well suited to large-format fine art prints and wall murals, with sufficient native resolution for reproduction approximately 10 feet wide at 300 pixels per inch. For me, this photograph captures a memorable combination of autumn color, fresh mountain snow, beautiful sunrise light, and one of New Zealand's most iconic natural landmarks.

Deep within New Zealand's North Island lies the remarkable Whakarewarewa Thermal Valley near Rotorua, a landscape shaped by the immense geothermal forces beneath the Earth's surface. At the heart of this volcanic wonderland is Pohutu Geyser, the largest active geyser in the Southern Hemisphere. Its Maori name is commonly translated as "big splash," an appropriate description for a natural phenomenon capable of sending boiling water and steam nearly 100 feet (30 meters) into the air.

Pohutu is one of New Zealand's most celebrated geothermal attractions, erupting naturally as many as twenty times a day. The geyser is part of the extensive Taupo Volcanic Zone, where underground volcanic heat transforms groundwater into pressurized steam, forcing superheated water upward through fractures in the Earth's crust. The surrounding landscape is an extraordinary combination of steaming vents, mineral-encrusted rocks, boiling pools, and colorful geothermal formations. For generations, the indigenous Maori people of Whakarewarewa have lived alongside these geothermal features, incorporating the naturally heated waters and steam into their daily lives and cultural traditions.

My photograph captures a broad panoramic view of this remarkable landscape, with Pohutu's rising steam surrounded by rugged geothermal terrain, brilliant blue pools, and contrasting green vegetation. Rather than isolating the geyser in a single close-up, I wanted to show its relationship to the surrounding environment, revealing the remarkable diversity of natural features concentrated within this relatively small area.

Creating this photograph required 103 individual focus-bracketed exposures, which were combined into 28 focus-stacked images arranged in a two-row panorama of fourteen columns. Using a Canon EOS R5 Mark II and a Sigma 24-70mm lens at 70mm, I carefully assembled these images into a seamless 308-megapixel panorama measuring 26,769 x 11,522 pixels. This technique preserves fine detail throughout the scene, from the nearby mineral formations and vegetation to the distant geothermal landscape.

What makes Whakarewarewa so fascinating is that it offers a visible reminder that the Earth beneath our feet is far from inactive. The steaming vents, boiling waters, and occasional explosive eruptions are all manifestations of powerful geological processes continuing today. This photograph preserves one moment in that constantly changing landscape, inviting viewers to explore the intricate details of one of New Zealand's most extraordinary natural wonders.

Located on New Zealand's spectacular Coromandel Peninsula, Cathedral Cove is one of the North Island's most celebrated coastal landscapes. Its golden sandy beach, towering sandstone cliffs, turquoise waters, and distinctive offshore rock formations create a remarkable combination of natural beauty. The cove takes its name from an enormous cathedral-like rock archway carved by centuries of wave action and erosion, a geological feature that has made this coastline one of New Zealand's most recognizable destinations.

Cathedral Cove lies within the Te Whanganui-o-Hei Marine Reserve, an area established to protect the rich marine environment surrounding this extraordinary coastline. The region also holds considerable cultural significance for the Maori people. According to local history, the explorer Hei arrived in the area around 1350 and claimed the surrounding land for his people. Today, the cove is appreciated both for its natural beauty and for the historical and cultural heritage associated with the surrounding coast.

Many visitors will recognize Cathedral Cove from the 2005 film "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe," which featured this remarkable location. Although the famous rock archway is the best-known attraction, I was equally impressed by the broader coastal landscape. The sculpted cliffs, isolated rock formations, brilliant blue water, and waves breaking along the sandy shoreline offered a wonderful opportunity to capture the character of this beautiful place in a single expansive photograph.

Creating this photograph involved 201 individual focus-bracketed exposures, which I processed into 33 focus-stacked images arranged in a panorama of three rows and eleven columns. Using a Canon EOS R5 Mark II with a Canon RF 100-400mm zoom lens set to 100mm, I photographed the scene at f/11, 1/1250 second, and ISO 100. The completed panorama contains approximately 651 million pixels, measuring 35,641 x 14,649 pixels. This technique preserves exceptional detail across the scene, from the textures of the sandstone cliffs and coastal vegetation to the distant islands and breaking waves.

What I particularly enjoy about this photograph is the combination of powerful geological formations and the constantly changing movement of the ocean. The warm sandstone, golden beach, and brilliant blue sky contrast beautifully with the white surf and turquoise water. At its native resolution, the image can be reproduced approximately 10 feet wide at 300 pixels per inch, making it especially suitable for panoramic fine art prints and large wall displays. Cathedral Cove is a wonderful example of the remarkable coastal beauty that makes New Zealand such an extraordinary destination for landscape photography.

Across the blue waters of Lake Wanaka, the snow-covered peaks of New Zealand's Southern Alps rise dramatically above a landscape painted in autumn colors. Dominating the distant skyline is the magnificent mountain scenery associated with Mount Aspiring National Park, one of the South Island's most spectacular wilderness regions.

Mount Aspiring, known to the Maori as Tititea, rises to 3,033 meters (9,951 feet), making it one of New Zealand's highest mountains. The surrounding Southern Alps are renowned for their rugged summits, glaciers, deep valleys, and rapidly changing mountain weather. Lake Wanaka, nestled along the eastern side of this magnificent mountain country, provides a beautiful foreground for viewing the distant peaks.

What particularly attracted me to this scene was the combination of seasonal colors and atmospheric conditions. The brilliant white snow covering the high summits contrasts with the warm golden-brown vegetation on the lower slopes. A long ribbon of clouds stretches across the mountains, partially obscuring the transition between the sunlit landscape and the snow-covered peaks. In the foreground, the expansive blue waters of Lake Wanaka complete the composition.

I photographed this scene as an ultra-high-resolution panorama to preserve the remarkable detail extending across the entire mountain range. The finished image contains approximately 708 million pixels, allowing viewers to explore details in the distant mountains, shoreline vegetation, and changing textures of the landscape that would be difficult to appreciate in a conventional photograph.

The photograph's exceptionally wide composition makes it especially suitable for panoramic fine art prints and large wall displays. My goal was to capture not simply a mountain landscape, but the extraordinary combination of light, color, water, and alpine scenery that makes New Zealand's South Island such a remarkable photographic destination.

Across the blue waters of Lake Wanaka, the snow-covered peaks of New Zealand's Southern Alps rise dramatically above a landscape painted in autumn colors. Dominating the distant skyline is the magnificent mountain scenery associated with Mount Aspiring National Park, one of the South Island's most spectacular wilderness regions.

Mount Aspiring, known to the Maori as Tititea, rises to 3,033 meters (9,951 feet), making it one of New Zealand's highest mountains. The surrounding Southern Alps are renowned for their rugged summits, glaciers, deep valleys, and rapidly changing mountain weather. Lake Wanaka, nestled along the eastern side of this magnificent mountain country, provides a beautiful foreground for viewing the distant peaks.

What particularly attracted me to this scene was the combination of seasonal colors and atmospheric conditions. The brilliant white snow covering the high summits contrasts with the warm golden-brown vegetation on the lower slopes. A long ribbon of clouds stretches across the mountains, partially obscuring the transition between the sunlit landscape and the snow-covered peaks. In the foreground, the expansive blue waters of Lake Wanaka complete the composition.

I photographed this scene as an ultra-high-resolution panorama to preserve the remarkable detail extending across the entire mountain range. The finished image contains approximately 708 million pixels, allowing viewers to explore details in the distant mountains, shoreline vegetation, and changing textures of the landscape that would be difficult to appreciate in a conventional photograph.

The photograph's exceptionally wide composition makes it especially suitable for panoramic fine art prints and large wall displays. My goal was to capture not simply a mountain landscape, but the extraordinary combination of light, color, water, and alpine scenery that makes New Zealand's South Island such a remarkable photographic destination.

Hidden within the lush native forests of The Catlins on New Zealand's South Island, Purakaunui Falls is one of the country's most beautiful and frequently photographed waterfalls. The Purakaunui River descends approximately 66 feet (20 meters) over three distinct tiers of moss-covered rock, creating a graceful series of cascades surrounded by dense vegetation. Unlike the towering waterfalls of New Zealand's Southern Alps, Purakaunui Falls possesses a more intimate beauty, where flowing water, ancient forest, and delicate natural details combine to create an exceptionally peaceful setting.

The waterfall lies within Purakaunui Falls Scenic Reserve, where a short walking trail winds through magnificent native beech and podocarp forest. Towering tree ferns, some reaching 12 to 15 feet in height, create an almost prehistoric atmosphere beneath the forest canopy. The falls have become such an enduring symbol of The Catlins that they were featured on a New Zealand postage stamp in 1976. Despite their popularity, the surrounding forest retains a remarkable sense of tranquility, with the sound of cascading water and native birds filling the air.

Before departing for New Zealand, I researched potential photographic locations using PhotoHound and immediately recognized Purakaunui Falls as a place I wanted to photograph. We deliberately planned our travel itinerary to include this location. Having photographed waterfalls in many parts of the world, I was particularly attracted to the combination of the waterfall's three graceful tiers and the extraordinarily rich vegetation surrounding it. My goal was to capture not simply the waterfall itself, but the intricate beauty of the entire forest environment.

Creating this photograph required an exceptionally demanding photographic process. Using a 200mm focal length at f/13, ISO 200, and a 1/4-second exposure, I captured 4,037 individual focus-bracketed photographs. These were processed into 240 focus-stacked images, subsequently assembled into a carefully aligned panorama consisting of 10 rows and 24 columns. The completed photograph contains approximately 4.36 billion pixels, measuring 79,668 x 54,724 pixels. The extensive focus stacking preserves remarkable detail throughout the scene, from the foreground rocks and delicate ferns to the cascading water and dense forest vegetation.

At its full native resolution, this photograph can be reproduced approximately 22 feet wide and 15 feet high at 300 pixels per inch without artificial enlargement. Yet its real beauty lies in the opportunity to explore the scene itself. The intricate textures of the rocks, the delicate patterns of the foliage, and the flowing water reveal a richness of natural detail that is easily overlooked when viewing a conventional photograph. Purakaunui Falls is a wonderful example of the quiet, unspoiled beauty that makes New Zealand's Catlins region such a remarkable place to experience and photograph.

Singapore's Marina Bay comes alive after sunset in a spectacular display of architecture, color, and reflected light. Stretching across the waterfront, this panoramic nighttime view captures one of Asia's most recognizable skylines, where remarkable modern architecture meets the tranquil waters of Marina Bay. The brilliant lights of the city shimmer across the water, creating a colorful reflection of Singapore's vibrant urban landscape.

Dominating the center of the panorama is the iconic Marina Bay Sands resort, with its three soaring towers joined by the extraordinary rooftop SkyPark. Just to its left stands the lotus-inspired ArtScience Museum, while the graceful curves of the Helix Bridge lead the eye toward the illuminated Singapore Flyer observation wheel. Farther to the right, the famous Merlion overlooks the bay against a backdrop of gleaming skyscrapers in Singapore's central business district. Together, these landmarks create a remarkable portrait of a city celebrated for its innovative architecture and waterfront design.

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What makes this photograph particularly special is the opportunity to explore Singapore's skyline at a scale rarely possible with conventional photography. From the sweeping panorama of the entire waterfront to the intricate details of individual buildings, the image reveals an astonishing amount of visual information. Its exceptional native resolution also makes it particularly well suited to large-format fine art prints and architectural wall murals, where viewers can appreciate both the grandeur of the skyline and the smallest details of this remarkable city.

Few places in the world offer such a remarkable contrast in landscapes as New Zealand's West Coast. Near the small community of Fox Glacier, Lake Matheson lies surrounded by dense, lush temperate rainforest, yet beyond the forest rise the towering, snow-covered peaks of the Southern Alps. The lake is located approximately eight miles inland from the Tasman Sea, where moist ocean air produces the abundant rainfall that sustains this extraordinary forest environment. It is a landscape where luxuriant green vegetation, ancient glaciers, and rugged alpine summits exist within a surprisingly short distance of one another.

Dominating the distant mountain skyline are Aoraki/Mount Cook, New Zealand's highest mountain at 12,218 feet (3,724 meters), and Mount Tasman, its second highest at 11,473 feet (3,497 meters). These magnificent mountains are part of the Southern Alps, a range formed by the continuing collision of the Pacific and Australian tectonic plates. High in the mountains, immense accumulations of snow have created glaciers that descend through deep valleys carved into the rugged landscape. The famous Fox and Franz Josef glaciers are among the most remarkable examples of this alpine environment, where glaciers extend toward temperate rainforest at unusually low elevations.

Lake Matheson is especially celebrated for its reflections of these distant mountains. The lake's dark, naturally stained waters can become remarkably reflective when the wind is calm, creating an almost perfect mirror of the surrounding forest and snow-covered peaks. In this photograph, the mountain range appears twice, first rising above the forest and then extending downward into its reflection. The brilliant white snow, blue mountain shadows, and rich greens and golds of the surrounding vegetation create a beautiful balance of color and light.

What I find particularly fascinating about this scene is the extraordinary geographical contrast it represents. Within a relatively short distance, the landscape transitions from the Tasman Sea through dense rainforest to glaciers and some of New Zealand's highest mountains. The same moist air that nourishes the coastal forests also contributes to the enormous snowfall that sustains the glaciers at higher elevations. This intimate relationship between ocean, forest, mountains, and ice is one of the defining characteristics of New Zealand's West Coast.

Another unexpected feature of Lake Matheson is its population of Canada geese. Although native to North America, these familiar birds were introduced to New Zealand more than a century ago and have established thriving populations throughout the country. Seeing large flocks of Canada geese on a lake surrounded by rainforest and the glaciated Southern Alps is a fascinating reminder of how dramatically different environments can share some of the same wildlife.

Nestled within the lush temperate rainforest near Fox Glacier on New Zealand's South Island, Lake Matheson is renowned for its magnificent reflections of the Southern Alps. On calm mornings, the lake's dark, still waters can create nearly perfect mirror images of the surrounding mountains, including Aoraki/Mount Cook and Mount Tasman. The combination of ancient rainforest, peaceful water, and towering snow-covered peaks makes this one of New Zealand's most celebrated landscape photography locations.

We first photographed Lake Matheson during our 2019 trip to New Zealand, and it was one of the locations I especially wanted to revisit when we returned in April 2026. My earlier photograph remains one of my highest-earning images, but I had always been dissatisfied with one technical aspect of that composition. The trees on the left side were slightly out of focus. On this return visit, I was determined to capture the entire landscape with exceptional sharpness, from the foreground reeds and forest vegetation to the distant mountain peaks.

Our first attempt was interrupted by clouds and rain that obscured the mountains. Fortunately, when we returned the following morning, conditions were much more favorable. We arrived at the lake before sunrise and waited for the light to illuminate the surrounding landscape. The still water reflected the trees and mountains, while the contrasting greens of the rainforest, golden sunlight on the distant vegetation, and snow-covered alpine summits created a wonderfully balanced composition.

Producing this photograph required an extensive combination of panoramic photography and focus stacking. Using a Canon EOS R5 Mark II with a Canon RF 100-400mm zoom lens set to 300mm, I captured 1,790 individual focus-bracketed exposures at f/11, 1/125 second, and ISO 100. These were processed into 124 focus-stacked images and assembled into a panorama of four rows and 31 columns. The original photograph contains approximately 2.84 billion pixels. The version presented here measures 86,525 x 18,476 pixels, providing approximately 1.60 billion pixels of remarkable natural detail.

This extraordinary resolution allows viewers to explore the intricate details of the forest, individual reeds along the shoreline, subtle reflections in the water, and the rugged textures of the distant mountains. The photograph can be reproduced at architectural dimensions while retaining remarkable natural detail without artificial enlargement. For me, Lake Matheson represents both the extraordinary beauty of New Zealand's West Coast and the satisfaction of returning to a familiar location with the experience and photographic techniques needed to capture it more completely.

A historic twine loft in Shoe Cove, Newfoundland. Reportedly over 60 years old and built on the previous site of a cod liver factory, a twine loft is a historic fishing room or loft used to store and repair fishing twine and nets. The ocean took away the dock that was originally in front of this building.

The story of the creation of this image is coming soon.

I found this field in the heart of Minnesota on a morning when the light was still soft and the air hadn't warmed yet, and I remember standing at the edge.

Not reaching for the camera right away. I just stood there, taking it in. Black-eyed Susans spilling across the foreground in waves of yellow, purple coneflowers rising through the middle, white wildflowers I couldn't name catching the light like tiny stars, orange and red blooms scattered through the green beyond.

The field made me embrace the feeling that the world is so much larger and more generous than we remember when we're inside our routines. Standing in that field on that morning, I felt small in the best possible way.

I got in close because that's where the real details appear. From a distance a wildflower meadow is a wash of color. From close, it's ten thousand individual decisions, but this petal, this stem, this particular way the light falls across a cone of seeds at seven in the morning in Minnesota.

I used a shallow depth of field to let the foreground go soft and warm, pulling the eye naturally toward that single coneflower standing in the middle of everything, composed and unhurried, like it had been waiting there for exactly this moment.

This is a Midwest sky that makes you feel like the world has no ceiling.

I made this image because I wanted to capture the scale of the place. All that color stretching from one edge of the frame to the other, all that quiet abundance happening in the middle of an ordinary summer morning in Minnesota, unbothered and completely indifferent to whether anyone ever came to look at it.

That's the part that gets to me. This field wasn't performing for me. It was just being exactly what it was: a full and complete. I think that's what I'm always chasing with a camera. The world doing its thing, and me lucky enough to be standing in the right place when it does.

The Rose Blanche Lighthouse is a large granite building with a mid-pitched roof located on an exposed cliff top in Rose Blanche, NL. Construction (circa) 1871 - 1873.

The story of the creation of this image is coming soon.

A fishing stage is a traditional wooden outbuilding uniquely tied to Newfoundland's historic cod fishery. Jutting out over the water on wooden piles, these iconic shacks were used by fishermen to land, split, salt, and process fresh catches. Today, they serve as vital coastal gathering spots and photography icons.

The story of the creation of this image is coming soon.